Featured Artist
Mizusaki Glass
Hakusan Porcelain
I am on friendly terms with wood kilns and electric kilns, high fire and low fire.
No matter the technique it really only holds merit if it leads to “good” pots,
and for me good pots are not defined by a technique
but most often by a healthy balance of energy/wildness and restraint/firmness. I have always thought pots are a lot like people.