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  • Exhibition
    • Kazu Oba Solo Exhibition 2018
    • Akihiro Nikaido Solo Exhibition 2018
    • Hanako Nakazato 2017
    • Kutani Pottery Exhibition 2017
    • ~ Wood Fired Ceramics ~
    • Teppei Ono 2017
    • Eisuke's Choice 2017
    • Malcolm Wright 2017
    • Akihiro Nikaido
    • Kazu Oba 2017
    • Ushio Konishi & Fujiko Enami 2017
    • Lana Kova Exhibition 2017
    • Hanako Nakazato 2016
    • Kazu Oba 2016
    • Eisuke's Choice 2016
    • Tommy Yoshizawa "1975 10th & 11th Miles Davis at The Bottom Line New York"
    • Fujiko Enami & Ushio Konishi "Murrini and Lace"
    • Ruri Takeuchi & Eiko Tanaka "Microscopic Craft from KAGA 2014"
    • Tim Rowan "Continuity"
    • Hanako Nakazato"Migration&rdquo"
    • Shumpei Yamaki "Wood fired Dinosaurs&rdquo"
    • Malcolm Wright "Transformations into Bronze
    • Tommy Yoshizawa "Jazz Photographs in 70's-80's"
    • Gen Saratani "The Aesthetics of Restoration"
    • Tim Rowan and Shumpei Yamaki "Exchanging Fire"
    • Hanako Nakazato “Occasions”
    • Mike Weber “Rocket Thing”
    • Kazu Oba "Imperfect Pottery"
    • Shumpei Yamaki "Dance with Shape"
    • Hanako Nakazato “Around the Table”
    • Traditional Art and Craft from KAGA
    • Kazu Oba - Wood Fired Pottery from Around the World -
    • The way of tea ceremony from KAGA
    • Mike Weber - Wood Fire Ceramics -
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Mike Weber

Picture
Mike Weber has been working in clay for nearly forty years, and has been wood-firing his work most of that time. Currently, Weber lives and works at his forest studio in northern Wisconsin. He has created and exhibited his work in many countries, including Japan.

“I have always related to the Japanese culture and have been inspired by some of the potters there. In my own work I try to let the clay speak during the creative process allowing for things to happen which adds to its freshness, it’s individuality. My work is fired in an anagama kiln I call Rocketman. This type of firing helps me achieve the effects my pieces demand. I try to keep taking chances with energy and passion, allowing the pieces to ‘become’ while relying on the potential of the natural interaction of the kiln; the shifting, partial cracking, accumulation of natural ash in unexpected ways.”

Mike Weber

* If you would like to see more works from this artist, please contact us.
We will send you some pictures of his works we have in our store and help you to find what you are looking for.
sarajapanesepottery@gmail.com

Sara Japanese Pottery
950 Lexington Ave. New York, NY 10021 

( Bet. 69th & 70th St.)
sarajapanesepottery@gmail.com  (212) 772-3243
Hours: Mon. ~ Fri. 10 ~ 7
             Saturday    12 ~6 
Closed on Sunday (open 7 days a week in December)

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